Forest Diptych with Lady and Sandy

The idea behind this forest scene was to take advantage of ink and washes by contrastign the dark trees in front with the lighter trees in back. I am also contrasting the relatively fine brushwork done on Lady and Sandy (You can decide which is Lady and which is Sandy) with the brisk loose brushwork of the trees. The Calligraphy couplet roughly translates, `I know my character makes it hard for me to conform. I like that I belong to no-one.' I used the li style of calligraphy.

Rain, Fire, Dog, Owl

This 10"x 14" painting has some of my familiar elements. The rain is represented by ink that has dripped and flowed. There is a fire in the background and an owl picking up a dog. Is the owl trying to save the dog or is he going to take the dog and eat it? Do you care? That's the dramatic tension.

Two Young Owls

Here is a small painting (6"x9") built around the image of two owls in a hollow part of a tree. The tree is painted with loose, broad brush-strokes. Everything else in the painting is more finely executed. The dog seems to sense there is something in the tree. Is this cute scene about to erupt into a bloodbath as the domestic animal tries to attack the young owls? Or will they all get along and go off together to the factory (that's what's in the background) to tour the assembly line from a glassed in observation deck?